Old Hollywood Kitchen: Glenda Farrell

For the first time in the Old Hollywood Kitchen we have a repeat celebrity, the wonderful Glenda Farrell. This is a recipe I've had tucked away for the right occasion, as mentioned in a previous post. When St. Patrick's Day rolled around last Sunday, her Irish Beef Stew was a natural choice.

Glenda Farrell's Irish Beef Stew

Meat mixture:

3/4 lb. round steak

1 cup carrots

1 cup potatoes

1 cup celery

1 tbsp. parsley

1 cup onion

1 cup beef suet (I omitted)

1/4 tsp. pepper

1 tsp. salt

Biscuit dough:

3 cups flour

3/4 tsp. salt

*3 tsp. baking powder

3 tbsp. shortening

1 cup milk

*Note that the instructions state to sift in 6 tsp. of baking powder. I'd stick with the 3 tsp. instead, though you'll see shortly that there were other problems...

This one started out easy enough. I rounded out the meat and vegetable mixture with Worchestershire sauce and black garlic powder seasoning to stave off potential blandness. I didn't substitute anything for the beef suet, and I'm wondering if 1 cup of beef or vegetable broth would have benefited the proceedings.

This is when the worry sank in.

No matter, as the biscuit dough tested both my limited skills and patience. I sifted and mixed the ingredients as directed, but the "dough" was too dry to hold together. I splashed in a tiny bit more milk...and it got so much worse. Nothing but a gluey mess to contend with and try to form into a reasonable facsimile of pie crust. Truly an amateur hour, I forgot to flour my countertop before rolling out the dough, and so resigned myself to patting sticky globs of dough at the bottom of the casserole dish and over the top of the meat mixture without attempting to balance the dough with flour (and possibly more milk). I'd had enough. I waved the white flag.

Not ready for primetime.

As with many of these older recipes, it was done in less time than specified (only needed 45 minutes of the hour). The taste test yielded no surprises: flavorful meat and crisp vegetables, buried beneath (alternately crunchy and tacky) dough that you could use to grout tile. Doubtful I will attempt this again anytime soon, not at least until I get a better handle on making biscuits. The failure here is my own, but I'm looking onward and upward. At least we'll always have that fine Devil's Food Cake.

I've recommended several of Glenda Farrell's films in her previous post, but to end on a positive note, I'll keep with the theme and highlight a short film I watched on St. Patrick's Day, the enjoyably spooky Return to Glennascaul, featuring Orson Welles, golden timbre and all, and an unusual old house in Ireland. More recipe tests forthcoming, and I guarantee more favorable results.

Old Hollywood Kitchen: Glenda Farrell

When I began my search for these vintage recipes, there was one star I had always hoped to find. Once I picked up a copy of What Actors Eat When They Eat, I was thrilled to see that Glenda Farrell was featured in the collection, having had no previous luck turning up one of her recipes. I plan to make that recipe sometime this winter as it's best suited for cold weather. What a pleasant surprise to chance upon another vintage cookbook, Famous Stars Favorite Foods, and flip to this page:

Glenda Farrell's Devil's Food Cake

3 squares chocolate, melted
1 cup butter
2 1/2 cups sugar
4 eggs
3 3/4 cups cake flour
2 tsp. baking soda
2 tsp. salt
2 cups milk
2 tsp. vanilla extract

I'm growing in confidence with my cooking, but baking is still largely a nerve-wracking affair. I halved the recipe for a two-layer cake, and it turned out fine though a bit on the dry side. I'm not sure what the recipe might need to add some moisture, but it's simple enough to lend itself to experimentation. I also substituted an oil and cocoa powder mixture for the chocolate since I don't keep baking chocolate around.

Topped with a simple buttercream frosting, it's just the way to satisfy that cake craving. I first baked this for Glenda's birthday back in June to complement a marathon of her films. If you haven't yet experienced her acting, any of her Warner Brothers features would be a good start, particularly the one that brought her Torchy Blane to acclaim: 1936's Smart Blonde. You can also tune in to TCM every Monday in November to celebrate her reign as Star of the Month. Long may she rule.

Old Hollywood Kitchen: Eleanor Powell

One of my goals in exploring these vintage recipes is to find successes that will become mainstays in my kitchen. I'm so enamored with today's recipe that I've already prepared it several times since my initial test...

Eleanor Powell's Beef and Beans (Cantonese Style)

1 lb. flank steak

2 1/2 lbs. string beans

3 large onions

1 bottle soy sauce

1/2 lb. lard or olive oil (olive oil is preferable here)

Salt and pepper to taste

The recipe as written yields 4 hearty portions, but I cut the recipe in half. It can take a while to trim down the green beans (in the full recipe I used about 2 lbs. of beans instead of 2 1/2), but you can save time by sauteing the beans and onions together; cooking them separately creates excess liquid and is an altogether unnecessary step. I also use garlic salt or garlic powder to season the beef, complementing the richness of the olive oil and soy sauce beautifully.

In Eleanor Powell's own words, "this dish is crisp and tender and served with steamed rice and tea makes a delicious and different dinner", and it certainly fits the bill of the "strength giving food" she she sought out. The green beans soak up the flavor nicely, and the steamed rice makes it lighter than your typical stir fry. Best of all, the leftovers are just as satisfying as when freshly cooked. Highly, highly recommended.

The only downside of this recipe is that it doesn't impart any of Powell's great dancing ability (oh, I wish!). However, you can't go wrong with any of her films if you want to see her skills on display. My pick this time around is Broadway Melody of 1940, her only collaboration (sadly) with Fred Astaire. Powell and Astaire are as perfectly matched as the beef and beans, a fine pairing for dinner and a movie.

Old Hollywood Kitchen: Helen Twelvetrees and Irene Delroy

I have a pair of recipe reports today! I usually pick up avocados when they're on sale, and when the craving for guacamole struck, it was time to test out this simplified version:

Helen Twelvetrees' Wakimoli Salad

2 avocados

1/2 onion, chopped fine

1 cup mayonnaise

1/4 teaspoon salt (omitted)

Few grains pepper (omitted- I'm not a fan of black pepper)

Dash paprika

Head of lettuce (for presentation)

Crackers (tortilla chips are a better option here)

Guacamole was not as ubiquitous in the 1930s as it is today, and it's interesting to test one that functions more like a dip. Unfortunately, the full cup (!) of mayonnaise drowned out the velvety avocado and crisp onion, and left it too runny to be satisfying. It's worth another try, cutting back on the mayonnaise (and perhaps adding some diced tomato), but no substitute for the real deal.

The second recipe, however, was a success.

Irene Delroy's Heavenly Hash

2 cups hot milk
3 tablespoons uncooked rice
2 eggs, separated
Few grains salt (optional)
1/3 cup sugar
1/2 teaspoon vanilla
1/2 cup black walnut meats
1/2 cup whipping cream (topping)

As I don't have a double boiler, I just heated the milk and rice in a saucepan, which took only 40 minutes. I was worried that either the rice would be underdone or the milk would evaporate, but checking on the rice periodically ensures that everything cooks properly. I was also unable to locate black walnuts, which have a very strong flavor, so I used regular chopped walnuts. 

It isn't until you add the vanilla that the hash starts to feel like a dessert. Very hearty and satisfying, with the vanilla lending a subtle sweetness. Next time I'll have to toast the walnuts to bring out their flavor, as they do get lost in the mix. A fine dessert for the colder months.

Normally I recommend a film by the author of each recipe I test, but Irene Delroy has a brief filmography and I've yet to see any of her work; the only Helen Twelvetrees film I've seen is Millie, though my memory of that is faint at best. I have a few more recipe tests under my belt, to be shared soon. Stay tuned.

Some Saturday Follies.

Having taken an extra long weekend to burn up a glut of vacation days from work, I've finally had a chance to scan some of my vintage ephemera. I wanted to share a collection of photos of Anastasia Reilly, dancer with the Ziegfeld Follies and pal of Louise Brooks, who spoke glowingly of Reilly; leaving show business behind, she married Theodore Buhl (nephew of Flo Ziegfeld) in 1927 and moved to Grosse Pointe, Michigan where she was an editor of the local paper. She sadly succumbed to cancer in 1961 but left behind tales of a colorful life.

"Stasia", as she was affectionately known, age 16.

In Brooklyn, her stomping grounds.

With mother Hattie in Atlantic City.

With Paulette Goddard in the Follies era. According to handwritten notes on the reverse, "Stasia always said she (Paulette) had lousy legs!"

In riding gear. Stasia was incredibly fond of animals and had a cattery on her own property.

 

I've saved the best for last...you'll recognize who's writing the ticket:

Follies wheeling around in 1925. Stasia's own notes are on the back: "Gag shot taken at Ethel Shutta's house- where we spent a weekend. The "cop" next to the car is Louise Brooks- my pal- who married Eddie Sutherland."