Showing posts with label Edith Meinhardt. Show all posts
Showing posts with label Edith Meinhardt. Show all posts

11.22.2021

Of rats and autograph seekers.

What a treat in celebration of Edith Meinhard's birthday this year! News is a rarity, but thanks to a fellow fan in the Louise Brooks Society Facebook group (cheers, Susanne!), we can at last fill in some biographical gaps. In 1947, Edith married a man named Evald Verner Jensen, which tracks with listings I had previously found in West Berlin phone books in the 1960s. 


The above was taken from the 1968-69 phone book, which would be the last time she was listed. Edith passed away on June 26, 1968, at the age of 59. (Thanks also to Matthaus Edinger for this information.)

Also thanks to the LBS group, I came across a 1931 interview she had done for Mein Film magazine. Her charm and talent was recognized by many, and rightfully so. Without further ado, please enjoy!

(Unfortunately I only know a few German words, so the following has been automatically translated, then edited for clarity to the best of my ability. Apologies for any awkwardness herein, some things don't work out smoothly into English. I've also included scans of my personal copy for posterity.)




    I am extremely happy to be immortalized in your beautiful anniversary edition, and I would like to take the opportunity to tell you that I "got hooked” early on. My first film appearance was at the age of ten, and I was chosen by Maxim Film, who were filming an adaptation of Felix Hollander's novel "The Dancer", to play the role of the hero as a young boy. With my beguiling violin playing I could lure the rats out of their hiding places!

    God, was I scared of those rats! Even though I had made up my mind, oh, to be so brave, it took a while before I got used to the rats, and until the rats got used to me.

    This first role brought me great success and I was delighted to be able to admire my picture in all the postcard shops! And then came the high point of my ten-year existence: I was asked for an autograph! I was blessed! That seemed to me to be the culmination of fame!

    I have since overcome this overwhelming first request for my autograph, but I am always happy when I receive nice autograph letters. And for the fun of your kind readers, I will reproduce the following letter from two dear boys that I recently received:

Well-born, beautiful, gracious diva, you, our favorite film star, Edith Meinhardt!

Two of your biggest admirers send greetings and wish you the best of luck with all your films. We've seen such wonderful films with you and we cannot fail to write to you. We ask and implore you, beautiful diva, to give us two beautiful autographs. Please, please, be so good - there are no photos here, we beg you to provide some for us, and yet we hope that you are good to us, our joy would be immense. Please, please, if you can, I, Gustav B., would like a photo where you are already grown up [?], please, please, my dear one, where you can show more of your wonderful figure. Please see what you can do.

    Isn't that nice?

    I send my warmest greetings to your charming readers and the gracious editorial team, and I wish you continued well-deserved success!


I couldn't write her for an autograph, but I'm lucky to have one just the same.


7.11.2020

"Ring twice."

It's been a long time (nearly two and a half years!) since I last posted about Edith Meinhard, largely due to a lack of new information, but I've been spurred on by recent social media activity to share more items from my collection. I thought I'd follow up on this post with photos from Voruntersuchung, a highly recommended film if you've only seen Edith in Diary of a Lost Girl. In addition to the DVD linked in that post, there is also a Spanish-subtitled version on the Internet Archive. The captions are translations of the snipes found on the back of each photo.

"The witnesses are waiting to be questioned." Edith is seated on the far left.

"Albert Bassermann (examining magistrate) interrogates Charlotte Ander (his daughter)."

"The accused before the examining magistrate."


"The real killer is caught in the courtroom."

"Sound film recording in the streets of Berlin. Under the microphone, Gustav Frohlich and Hans Brausewetter."

Page from the Voruntersuchung program, with Edith's Mella Ziehr pictured in a happier time.

The film has fine performances all around, particularly from Albert Bassermann. This was my introduction to Bassermann, and until I attended a nitrate screening of The Red Shoes two years ago I had no idea he acted in any English-language films! He's also great in Alfred Hitchcock's Foreign Correspondent, which now tempts me to rewatch with a giant bowl of popcorn...

2.25.2018

Ein autogramm?

A short time ago I acquired this lovely photo postcard of Edith Meinhard:



Advertised as an autographed photo, it was likely taken between 1937 and 1940 in the midst of some of her most prominent film roles. However, prolonged inspection of the "autograph" along the left margin reveals that it is anything but. The scale of the writing, the placement and the unusual penmanship (a cursive H written as an F?) just don't add up. Compare this to her actual autograph:


I purchased the photo knowing that it wasn't inscribed with an autograph, but it's still a great, rare image, and a fine addition to a slowly growing collection.

As a bonus, the Anny Ondra/Max Schmeling vehicle Knock Out- Ein junges Mädchen, ein junger Mann is now available to stream in full on Archive.org! Edith only appears in the first 25 minutes of the film, playing catty showgirl Melitta; though one of her many small roles, she makes it memorable.

She's got the look.


1.29.2017

In the cards.

While Edith Meinhard may not have been a superstar in her heyday, she did have fans who sought out her autograph, received substantial press for even minor roles, and was popular enough to be included on collectible cigarette cards. 

Borg cigarette card, ca. 1932.

Macedonia cigarette card, early 1930s. Love the hat!

These are the only two cards currently in my collection, but there is at least a third card that has been produced (number 18 in the linked Aurelia series). For anyone who may be interested, Edith's card from the Macedonia series is available for purchase on eBay (number 42 in the pulldown menu) as of the date of this post. I'm curious to learn more about the photographer behind these images, Yva. What a fascinating (though ultimately tragic) life and career.